English 102 #3374                                                                     Michele Hardy, Assistant Professor

MWF 11-11:50                                                                             Office: M3059 301-322-0836

Spring 2002                                                                                 Office hours: TBA

 

Prose, like a straight line, extends to the horizon.

      Verse, like a spiral, draws us into itself…..

--Robert Wallace

 

Your goals: In this course, you will work together to develop your critical thinking and writing skills used in English 101 using short fiction, poetry, and drama as a medium for discussion and composition. You will learn to understand, appreciate, and enjoy quality literature from a myriad of authors and backgrounds. You will explore how art imitates reality---how literature can relate to and enrich the human experience. The course will also feature applying other artistic mediums, such as music, to literature, emphasizing tone and theme to enrich your connection with the work. Students will also be directly involved in scene work when exploring dramatic work by playwrights such as August Wilson.

 

My goals: To:

 

Philosophy: I am a firm believer that every student should be directly involved in his/her education. This class will be a rigorous, energetic, intellectually stimulating space where we can explore literature together. My classes rely heavily on active discussion and every student’s voice will be heard. I have structured the class to be in a "workshop" atmosphere—a comfortable, interactive, safe environment where everyone can make discoveries that lead to positive, critical thinking. Most importantly, this is a mature space of high standards and expectations.

 

Text: Literature: Reading, Reacting, and Writing, Compact 4th ed. by Kirszner and Mandell

 

Requirements: The successful completion of all of the following:

15% Essay 1/Short fiction (min. 5 paragraphs, 500+words)

15% Essay 2/Poetry (min. 5 paragraphs, 500+ words)

30% Essay 3/Drama w/research component (min. 1000 words, 4 full pages)

25% Take-home midterm (details TBA)

15% Journal response papers +1 original poem or short story

 

Grading scale: 90-100 A; 89-80 B; 79-70 C; 69-60 D; 59-0 F

 

Papers/Rough drafts: All papers are due on the date assigned. I do not accept any late papers or journal responses. Please do not slip anything under my office door. If needed, submit in my mailbox located in M3072. Any work put in this box must be signed in with the date/time by one of the department secretaries. *Rough drafts are a crucial part of the writing process and are also due on the date assigned. Please do not come to class without one. You will be participating in peer reviews at this time. Any student who does not have a rough draft on the date assigned cannot participate in the review and essay in final form will be lowered one letter grade.

 

*If you would like assistance from me with your work, you must make an appointment to meet with me after class, NOT during class time. Do not hesitate to do this. Also, plan your time wisely and make an appointment ahead of time. You can also seek assistance from the Writing Center but be aware that the tutors who work there will not "write" your paper for you or edit/proofread your work.

 

*All rough drafts, final papers, and JRs (journal responses) must be typed and double-spaced. No exceptions.

 

Journal: Journal response papers are due on the date assigned and will focus on your personal and critical response to what you’ve read. There will be a total of ten entries, each worth 10 points. They are to be typed, double-spaced, and at least 1 ½ to 2 pages. You must also submit (at any time during the semester) either an original poem (of at least 10 lines) OR a short story (1-3 pages.) Details will be given.

 

Plagiarism: This is a serious academic offense with severe consequences which will result in an automatic "F" on the assignment, and possible failure from the class and suspension from the college. You must document your sources properly. Please come see me if you have any questions about this policy or you may refer to your student handbook. Also, I reserve the right to question any marked inconsistencies in style.

 

Attendance: Yes, attendance is vital to success in this class as the pace is energetic and each session contains valuable discussions and in-class activities. If your attendance is poor, it will most likely be reflected in your work and, subsequently, in your final grade. I do understand how "life" can be, so each student is bound to miss at least a class or two. If this happens, it is your responsibility to get caught up on any work missed. Do not call me and ask me to fill you in on what you missed. Please call somebody in your support group which you will be assigned. Please be aware that any student who misses 9 or more classes will NOT pass this course. I also do not tolerate repeated and distracting lateness. If you are 5 minutes late, you will be marked as such. If you are 10 minutes late, you will be marked absent.

 

Demeanor: Students are, of course, expected to conduct themselves in a courteous, respectable, and collegiate manner. Any behavior that disrupts the learning environment will not be tolerated and can result in being barred from the class.

 

Miscellaneous: No food allowed but beverages are OK. Please dispose of any trash. No walkmans on display. Cell phones and/or beepers are to be turned off unless cleared by me.


Where to turn for help: DON’T DISAPPEAR!

 

  1. ME: I am very approachable and accessible to my students in terms of outside assistance. Do not hesitate to call on me for help. It’s my job and an important part of my personal goals.
  2. WRITING CENTER: This free, on-campus service is located on the third floor of Accokeek Hall. Please call 301-322-0748 for an appointment.

EACH OTHER: LIFELINE

  1. In-class support groups: I will be assigning you to a specific group for the semester. These are the people you will lean on, if needed, if you need notes because of a missed session or for any kind of peer assistance with class work.
  2. GA (Goal Assessment): Students may also OPT to meet with me several times during the semester to focus on your personal and academic goals. Again, this is optional. Students interested in signing up for GA should come see me early in the semester.

 


Syllabus

*This syllabus is subject to change based on the pace and needs of the class.

*Readings are due on the date assigned.

 

F 1/25 Icebreaking/Diagnostic

 

M 1/28 JE #1 due

Literature: a working definition

Traditional and experimental literature

Discuss "All About Suicide" pg. 5-6 and "Telephone Conversation" pg. 6-7

 

W 1/30 Discuss poetry handout and "Girl" p. 423-24

 

F 2/1 Fiction/short story session

 

M 2/4 "The Secret Lion" p. 42

JE #2 due

W 2/6 discussion continued (if needed)

F 2/8 Plot/historical context

Discuss "The Story of an Hour" p. 70

JE #3 due

M 2/11 Character/motivation

"A&P" p. 96

Let’s talk about Sammy…

 W 2/13 Motivational music exercise (details TBA)

JE #4 due

F 2/15 "Like a Winding Sheet" p. 108

 

M 2/18 President’s Day/College closed

 

W 2/20 Continue discussion of "…Sheet"/JE #5 due

F 2/22 Out of class assignment w/"The Kind of Light…" (handout)

Details TBA

M 2/25 Discuss "The Kind of Light that Shines on Texas"/JE #6 due

W 2/27 In-class workshop with Essay #1 options

F 3/1 Rough draft due/peer-editing workshop

M 3 /4 Essay #1 due

Begin Poetry session

In-class work with family poems: "A Woman Mourned by Daughters" p. 527; "Photograph of my Father…" p. 529; "My Papa’s Waltz" p. 531; "My Father’s Song" p. 534

W 3/6 JE #7 due

Continue with group poetry activities

F 3/8 Activities continued (if needed)

Voice/Dialect: We Real Cool" p. 636/ JE #8 due

M 3/11 Langston Hughes session: "Negro" p. 581; "Harlem" p. 663; "Theme for English B" p. 809-10

Take-home midterm due                                                                                                                               

W 3/13 In-class workshop with Essay #2

F 3/15 Rough draft Essay #2 due/peer-editing workshop

M 3/18 Conferences (optional) for Essay #2

W 3/20 Essay #2 due

F 3/22—3/31 SPRING BREAK / NO CLASSES

M 4/1 Drama Session/scriptwriting exercise

W 4/3 In-class reading of Trifles p. 951/discussion of Freytag’s Model

F 4/5 In-class reading of The Brute p. 1040

M 4/8 Scene work/discussion

W 4/10 Scene work/discussion

F 4/12 Out of class activity / details TBA

M 4/15 Discussion of August Wilson/historical context of Fences

W 4/17 Fences, Act I / JE #9 due

F 4/19 Assign casts for scene presentations (note: scene presentation exercise counts as JE #10 /details TBA)

M 4/22 Casts meet/rehearse

W 4/24 Casts meet/rehearse

(reminder: Th 4/25 is the last day to withdraw with a "W")

F 4/26 Casts meet/rehearse

M 4/29 Fences presentations/discussion

W 5/1 Fences presentations/discussion

F 5/3 Out of class assignment/details TBA

M 5/6 Wrap up Fences presentations (if needed)

In-class workshop with Essay #3 options

W 5/8 Last class                                                

 

Note: Essay #3 is to be submitted on M 5/13 (or earlier!) You may submit to me personally in my office (M3059) or in my mailbox located in M3072. If you submit in this mailbox, you MUST have it signed in with date and time of submission or assignment will not be accepted.