“Seasons of Perfection”
by Ryna May
Every
April through October I can be found worshiping at the church of the blessed
diamond. I’m a third generation baseball
fanatic, and I know all about the ups and downs, the blown saves and great
comebacks that are inherent to our national pastime – and I absolutely LOVE
it. I have grown to love baseball
because every boy always told me that I couldn’t play it. There’s a secret here that boys don’t want
girls to know: they can play it, and they can be a lot better than the boys
are. My brother Bryan and I played
baseball together in little league. He
didn’t want me to play because I was a year younger than he was, and way
better, and oh yeah, I’m a girl. So my
mom thought it would be a good idea if we played on different teams – he for
the
When I was seven, our
father took us to a minor league baseball game to see the Chattanooga Lookouts
play. They are named the “Lookouts”
because there is a great mountain near Chattanooga called Lookout
Mountain. It’s the only really prominent
thing in Chattanooga other than the famous choo-choo
train, and no team of men wants to be called the “Choo-Choos”
I guess. We sat very close on the third
base side of Lookout Stadium. My dad
told me to bring my glove in case there was a foul ball hit our way. I was seven, but he was certain that I could
catch the ball if it came near me. He
taught me to play ball before he taught my brother. Bryan wasn’t very coordinated when he was a
kid. Dad thought that I was a
prodigy. He showed me how to throw a
fastball and a curveball, but before he died in 1981, he never had time to show
me how to master a slider. I have never
been able to learn. This was the first
and last game my dad ever took us to, and it seemed like it was going to be
perfect. A few innings into the game I
got the chance that I had been hoping for: a foul ball was hit my way, but it
was coming too fast and I was not ready for it.
I was lost in the pink and blue fury of my cotton candy, and even though
I did have my glove on, it was whizzing past my right ear and smacking the seat
behind me before I could even move the mitt.
It was the sound of my father’s disappointment.
When I was nine and
ten and eleven, I spent summers with my grandparents. I remember the summer evenings that stretched
out lazily into warm, dark Tennessee nights and the apparition of curtains that
advanced and retreated eerily in the soft night breeze, carrying the sweet
smell of crab apples and wet grass and wood and coal from the shed on the
hill. My Papa Odum
was a baseball nut. He watched games all
day, every day, whenever they were on, and when he went to bed at night, he
listened to the games on the radio. It
is this ritual of listening that I remember most clearly, the way the game
sounded on the old clock radio. It’s the
kind of clock radio with the flip numbers, the kind that growled instead of
shrieking, the kind that clicked methodically.
The sound on the radio was never good; neither was the reception. But Papa Odum
always seemed to be able to find “the ballgame” no matter what. The games were quiet and far away. The announcers droned on over the restless
buzzing of the fans: “Two outs now, and Mattingly to the plate with nobody
on…he digs in and takes a called strike… 0 and 1 the count now on Mattingly in
the top of the fourth….the Yankees trailing 3 to 1…” The windows were always open at night,
allowing for the most glorious concert of sounds – the baseball game, but not only
that; the baseball game and my grandfather’s heavy sleep-breathing; the
baseball game, and sleepy breathing, and creaking of the house, and the mad
crickets and the whispering rain…
With its tragic ease,
baseball is both dull and wonderful in its perfection; but it’s
the imperfections that provide the real opportunities for humor and grace. There is a peace and rhythm to baseball that
no other sport can imitate, and this is precisely because baseball is about the
so many things in-between, the so many lost moments. Like the way that the crowd lulls in lethargy
between pitches, between batters, between innings; like our mistakes of silence
– things we don’t say, things we’ll never be able to say.
I love baseball
because it helps me remember to remember moments. It reminds me to revere
moments of imperfect life and preserve them in perfect memory. For me, baseball is a day at the park with a
favorite friend, sitting in the stands with a beer and a hot dog, Cal Ripken breaking the streak, cotton candy stuck to the
pocket of my mitt, Mike Schmidt hitting his 500th home run, the foul
ball that sails just over my head, Harry Carey calling the game for the Cubs,
the organ music – out of tune, Sid Bream, with his leg brace on, sliding home
to beat the tag and win the ALCS, the seventh inning stretch, Derek Jeter
diving to his right to stop a ground ball, rally caps, the ground ball
dribbling between Bill Buckner’s legs, full counts, and Kirk Gibson of the
Dodgers hobbling into the batter’s box and hitting the ball clear out of the
park in October of 1988 in the World Series.
Even in its imperfection, baseball is still about the remembered seasons
of perfection; they are the stuff that dreams are made on, and so much more:
the way that we remember the suddenly ubiquitous smell of grass, the first
warm, long evenings, disappointment, childhood, failure, fathers, brothers, and
histories.
2001